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Limited Edition Merch

1 May

For X-CON 10 (Myrtle Beach Convention Center, May 19-21) and while supplies last:

Due to printer error, I have 150 proof copies of Acephalous.

Of the 150, I signed and numbered 50 copies of Acephalous to sell as a LIMITED RUN ($12/e). The other 100 are also available for purchase (unsigned $10/e).

And, of course, the publication-ready versions are for sale at full price ($15/e).

Add a personalized 4- to 8-line poem, written on the spot, to your signed copy (any print version) for $5.

  • Side note: In both the proof and publication editions of Acephalous, the plot is the same. If you opt for one of the more affordable versions, you will not miss out on  story-line or events. The proof versions have mostly formatting-related errors resulting from file conversion during the publication process, plus some minor typos that add character. The printing company mistakenly fulfilled my order using the old proof file rather than the finalized text.

Kepler has some new friends in the Pocket Kitty world. In anticipation of Humans In My House Book 2, coming winter 2017, 3 sets of limited edition PLANETARY POCKET KITTIES will be available for purchase at each convention for the remainder of 2017.

These sets come with 9 Pocket Kitties, each representing a celestial body of our solar system. (Sun, Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune.) Sorry, Pluto 😦  I will add Pluto to the set if there is a demand for the teeny tiny pocket kitty, so let me know in the comments! Sold as full sets only ($40/e).

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Official Cover Reveal! Take 2.

28 Mar

Canada - Edited - Sized - Final - 200 dpi

If you saw this post about a week ago, I’m sure you noticed the cover art was vastly different. Well, after receiving the proof print, it was clear the black background had to go. It was COVERED in fingerprints. This is what the cover will look like on publication day.

Join me for a release party/book signing for Acephalous and Humans In My House on the 15th, from 11:00am to 4:00pm, at Book Warehouse Myrtle Beach, located in the Tanger Outlets on 501. If you can’t get one in person, buy it in print. Coming soon to kindle.

Thanks for you support, interest, and patience!

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Aiken Wine and Sign

20 Jan

Image may contain: 1 person, smiling, meme, text and food

Join me at the Aiken Wine and Sign event from 9-4 on Saturday, April 22 at the South Carolina Conference Center. This family-friendly book-signing event benefits the Diann Shaddox Foundation for Essential Tremor.

Drink some wine, have a snack, buy books! An ideal Saturday, in my opinion. I might even have a special raffle prize. -_^

Event details here.

Pro-Tip: Drafting-Behind the Scenes

8 Dec

Hello, all!

I realize this website has become quite self-serving. I haven’t written a pro-tip in a while, but I’ve advertised the life out of my book.

Oh, well. Here comes some more–a pro-tip/advertisement hybrid.

I recently had two of my poems published by Life In 10 Minutes. The first was a characterization exercise for Acephalous. The second was a true-to-life musing about the holiday season.

For my characterization planning, I wrote from the point of view of Atlas to better get into his head. Even when characterization exercises don’t make it into the book directly, familiarizing myself with my characters on that level allows me to write about them as if they are each a real person. I highly recommend it.

There’s no right way to do this. For me, these things usually come in fits and starts in the middle of the night. The MEMO section of my cellphone is awash in brooding prose that has no bearing on my emotional state but that of my characters.

I know other writers who carry around a journal everywhere they go, just in case. That’s a bit much for me. No girl needs anything extra added to the weight of her purse. There’s enough in there already!

However, I am drowning in post-it notes. Someone out there, please invent a post-it note binder or portfolio so I can store these things with some logic.

Regardless of how you might choose to complete your characterization projects, I recommend that you do it somehow, sometime, before you write the final revision of a text. Acephalous is a different book from the version people test read, and it’s a good thing it is.

If your dialogue makes you outwardly cringe, try a character profile sheet or writing a poem from his or her point of view. It works.

 

FOLLOW KEPLER ON INSTAGRAM

5 Nov

kepler

Kepler, the main character and narrator of Humans In My House, is now on instagram!

Follow #Kepler’s adventures as he travels with us @KeplerSeesTheWorld.

Purchase your own #pocketkitty and join in by taking pictures of your journeys. Tag them on Instagram with #HumansInMyHouse or @KeplerSeesTheWorld.

To purchase, visit my Shop to place an order, or come see Red Ink Enthusiast at one of the many conventions we plan to attend in the coming year! (Convention schedule forthcoming.)

Buy Now!

12 Aug

Cover.jpg

Humans In My House is NOW AVAILABLE on Kindle and in paperback via CreateSpace and Amazon.

Thanks so much to everyone who has watched my journey and cheered me on. You rock.

Next up, final revisions of Acephalous, which I aim to publish in early 2017.

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12 Years to Get to the Trash Can

7 Jul

I’ve gotten some amazing, useful feedback from the test readers who’ve returned their comments so far. I can’t wait to get the rest and to start rewriting Acephalous Book 1 (which very well could become a longer, single book that’s not part of a series).

Some items I plan on changing include:

-POV shift from 3rd person limited to 3rd person omniscient. Though I value the challenge the former POV presents to an author–successfully presenting all of the characters in a rich and emotionally arresting way without getting into the inner thoughts of most of them–I feel like I’m missing out on opportunities to better link my readers to the characters’ emotions, fears, and motivations, to add history and detail to a scene without narrating or telling.

-Structure/Order of Events. I’m looking to get to the action sooner than the current version does, and to reel people in with the mystery and intrigue of Breena’s situation by making the dreams she experiences carry more weight.

-Character Behaviors. The characters are still hollow at this point, as is usually the case in any initial shell of a story. They aren’t fully independent, separate, complete people in the world of dreams or reality. They each have the beginnings of uniqueness, but undermine their own existences by contradicting their thoughts with their actions, cultivating dislike through unrealistic dialogue, or failing to display their importance to the story. The goal is for each character to sound like a real person, their own person, rather than sound like different variations of me as the author.

To accomplish all of this (and, doubtless, the many more decisions I’ll make as more feedback comes in), I plan on performing a total re-write of the test-read version. I’m going to work page-by-page to recreate each with fresh words. The plot will stay essentially the same, as will the basis of the current characters, but by rewriting in one stretch of time, I will have a more homogeneous text. As it is, I can still tell which sections I wrote as a high school student and which sections come from master’s degree me. It doesn’t mesh.

I’ve worked for a long time to get the story to a coherent shell to share with others for input. It’s a tricky stage where it’s complete enough to call a story, but too rough to call publishable. This version is a husk of what it could be, and it’s always hard to let people read something that I know is not finished. I always pray those reading realize it’s still just a draft, that I wasn’t passing it around as a sneak peek of the completed story. (Read: Yes, you’ll still need to buy the real one to find out what happens even if you test-read it.) The text that will go on sale by the end of next year won’t much resemble the one they read, and I’m thankful. Even Ernest Hemingway said, “The first draft of anything is shit.” For me, while I’m much more proud of the story than what I put in the toilet, and while I wouldn’t store the book alongside your manure fertilizer, it is a first draft of sorts. It took 12 years and who knows how many full overhauls to get to the state where I handed it out for critique, but, in terms of publication readiness, the 2015-2016 version of Acephalous is the first draft. It’s the first draft I’ve had printed and bound; it’s the first draft I’ve let people see; it’s the first draft to be acceptable enough to consider moving forward.

Rewriting is the stage where many aspiring writers quit. We get through the feat of finishing something as huge as a novel and realize that, even though there’s a finished story with a beginning, middle, and end, it’s not acceptable in its current state. It would be easy to stare at the piles of commentary and say, “There’s still so much left to do…” and never say anything else about the project. It can feel overwhelming to think about how many little (and major) things need to change, but authors press on because the satisfaction of creating a viable beginning, middle, and end isn’t enough once people have read it. Viable doesn’t mean finished once someone points out what’s lacking. Personally, I’m thrilled to rewrite and leave the opinions of Mr. Hemingway in the dust.

 

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